We are a Teenager of the Meena Tribe, and we proud of our culture and we respect our "samaj". We have some questions.
1.Why we don't know about our history?
2.Why Our Tribe was treated as a criminal Tribe?
3.Why some People hate Us (specially, when they know that we are From ST ).
4.Why our parents don't give freedom whether it is Boy/Girl ( As compared to other Guys).
Thanks to God for giving us the best Parents. But, why they don't want their children as an Owner of the Company, As a Musician
कोरोना वायरस: राजस्थान में भी कोरोना वायरस का एक मामला सामने आया
JAIPUR: All three old cases of coronavirus-positive patients in the state have now been tested negative and cured, while a 24-year-old youth found having the affliction is undergoing treatment at SMS Hospital here, a senior official said on Sunday.
The three who have been declared corona-negative following repeat tests include an Italian couple and a Dubai-returned, 85-year-old
Before 1500 BCE the caste system was not found in India.
Who started caste system in India?
Aryans
According to one long-held theory about the origins of South Asia's caste system, Aryans from central Asia invaded South Asia and introduced the caste system as a means of controlling the local populations. The Aryans defined key roles in society, then assigned groups of people to them.
https://www.ushistory.org › civ
The Caste System [ushistory.org]
When did caste system start?
1500 BC
Historically, however, it is believed that the caste system began with the arrival of the Aryans in India around 1500 BC (Daniel). Of the many cultures that flourished in India, the literary records of the Indo-Aryan culture are not the earliest.
Coronavirus in India: how the COVID-19 could impact the fast-growing economy
By Dr. Sikha meena
India reported the first confirmed case of the coronavirus infection on 30 January 2020 in the state of Kerala. The affected had a travel history from Wuhan, China.
Since the Wuhan coronavirus outbreak in China, the highest number of suspected cases in India, the second most populated country in the world, has been reported in the state of Kerala. Suspected coronavirus cases have also been reported in multiple cities such as New Delhi, Mumbai, Bengaluru, Hyderabad, and Patna.
king salwa visiting kalayawana Yet another Salwa king (3:12, 7:11) attacked Dwaraka, this Salwa king was an ally of Shishupala, Dantavakra and Rukmi. According to the narration in the epic, he possessed an aircraft known as Saubha Vimana and used it for travel and for aerial warfare
Raja (Raja Jagat Singh II, 1694-1752, possibly of Jaipur) and lady watching from a roof-top the Tij,
Physical description Painting in opaque watercolour on paper depicting the month of Sawan (July-August). A Raja (Raja Jagat Singh II, 1694-1752, possibly of Jaipur) and lady watching from a roof-top the Tij, or Swing Festival, performed at Bundi in the rains. An illustration to a Barahmasa or set of verses describing the ways of lovers in the twelve months. Place of Origin Bundi (made) Date ca. 1770 (made) Artist/maker
In this painting, a Rajput nobleman and his companion watch a celebration of the festival of Teej, held to mark the arrival of the monsoon. The coming of the rains signifies fecundity and renewal, as seen in the verdant depiction of the garden and the snake-like lightening in the sky. In fine clothes and with henna-painted hands, women carry an effigy of the female deity Parvati, holding floral fronds aloft, and swing from a mango tree as lightening flashes across the sky.
Matsya
Object:Painting
Place of origin:Kolkata (made)
Date:ca. 1885 (made)
Artist/Maker:Unknown
Materials and Techniques:Painted in opaque watercolour on paper
Museum number:IS.592-1950
Gallery location:In Storage
As would be expected of an image of Vishnu's first avatar, Matsya, the lower part of the body is a fish. But the breasts look more female than male, there are only two hands and they are in anjali mudra. which is uncommon in a deity. A hooked prong behind would have fitted into a shrine. Brassy colour, little wear.
the capture of Bundi fort in Rajasthan by the Mughal army in 1577
This painting by the Mughal court artist Tulsi the Elder depicts the battle preceding the capture of Bundi fort in Rajasthan by the Mughal army in 1577. It is an illustration to the Akbarnama (Book of Akbar), commissioned in 1589 by the Mughal emperor Akbar (r.1556–1605) as the official chronicle of his reign. The Akbarnama was written in Persian by Akbar’s court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan. The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.
A large portrait-format page showing the story of the salvation (moksha) of the King of the Elephants (Gajendra) who is saved from the demon crocodile by Vishnu who comes to the rescue on Garuda.
Architectural drawing of Tirumala Nayak at Madura,
Many of the British were excited by the Great temple at Madura and it was frequently illustrated. This set of 143 drawings is the most extensive series known of the famous pillared hall ('mandapa') to the east of the Great temple, popularly known as Tirumala Nayak's choultry. These drawings provided detailed architectural descriptions of the pillars, showing various elevations, and betray the hand of an artist trained in the conventions of Dravidian architecture. Some of the drawings relate to, and are on the same scale as, a series of bronze models in the Victoria & Albert Museum (Guy 1990), and in the Ashmolean Museum (Harle and Topsfield, 1987 no. 68). The drawings, and the bronze replicas which show every evidence of having been modelled on the basis of these drawings, are in all probability those which Adam Blackader, resident in Madura in the 1780s, described in a letter of 1789 to his friend Sir Joseph Banks. Blackader records that he spent three years preparing these drawings and models. He had eighteen models made, selected to show the various types of richly-carved pillars. 'These', he wrote, 'were not taken regularly from one end of the choultry but different pillars selected from the whole giving all the principal varieties which occurred in the carvings'. These drawings are very similar to a set prepared at Madura under the supervision of Colin Mackenzie and now in the India Office Library (WD1063/1-57; M. Archer, 1969b, vol. II, pp. 531-2).
Architectural drawing of Tirumala Nayak at Madura,
: Tantia (c.1844-1890) was a member of the Bhil tribe and a renowned robber. He was tried and hanged in December 1890. 1 January 1906 363 Tantia Bhil, a legendary robber in Central India - Image ID: P80WDF
Tantia Bhil, a legendary robber in Central India Contributor: History and Art Collection / Alamy Stock Photo Image ID: P9KT99
Tantia Bhīl (or Tantya Bheel, Tantya Mama) (d. 1890) was a dacoit (bandit) active in British India between 1878 and 1889. He is described very negatively as a criminal in period British accounts, but is recognized by Indians as a heroic figure. Accounts of both eras have described him as an Indian "Robin Hood".
Career
Tantia was a member of the Bhil tribe, of the indigenous Adivasi community, and born in Nimad, Madhya Pradesh around 1844. Per one modern account he embarked on his career after the harsh measures taken by the British following the Indian Rebellion of 1857.[1] Tantia was first arrested around 1874 for "bad livelihood" and after a year's sentence turned to more serious crimes of theft and kidnapping, he was arrested in 1878 by Haji Nasrullah Khan Yousufzai and jailed in Khandwa, escaping after only three days, and from there took up his career as a dacoit.[2]
Tantia was lured to a parley by an officer of the Indore army who promised him a pardon, but was ambushed and taken to Jubbulpore where he was tried and hanged in December 1890.[2]
History
It is an indisputable fact that freedom fighters have all along been termed as rebels by the powers that be it the Mughal Empire of Aurangzeb or the British rule. Tantya Bhil was one of the greatest revolutionaries who waged an armed struggle against the British rule for twelve years and endeared himself to the masses by virtue of his indomitable courage and passion to uproot the foreign rule. Political parties and educated class launched forceful movement for ending the British Rule, but much before these movements, tribal communities and revolutionary like Tantya Bhil raised a banner of revolt against the British rule. Tantya Bhil became a symbol of the feelings of tribals and general people.[citation needed]
About one hundred twenty years ago Tantya Bhil emerged as a great hero of the masses and became since then a long cherished pride of Bhil tribe, he epitomized the indomitable courage, exceptional agility and organizing skill.[citation needed]
Tantya Bhil used to plunder the government treasuries of the British government and wealth of their sycophants used to distribute it among the poor and needy. In fact, he was the Messiah of the have-nots, he was popularly called Mama by people of all age groups. This address of Tantya became so popular that the Bhills still feel proud in being addressed as "Mama", he used to reach out to those who were in need of financial help in a miraculous manner.[citation needed]
The news of the arrest of Tantya Bhil was prominently published in the 10 November 1889 issue of the New York Times. In this news he was described as the "Robin Hood of India".
Tantya Bhil was born at village Badada in Pandhana tahasil of East Nimar (Khandwa) of erstwhile Central Provinces which currently lies in the Indian state of Madhya Pradesh, he wanted to teach a lesson to the British and to realize Bhils’ dream of socialist society. He was fired with a passion to free India from British subjugation, he broke the jail many times.
He was skillful in Guerilla warfare, he was also a great shooter and proficient in traditional archery. "Dava" or Falia was his main weapon. He had also learnt to handle gun.
Right from his young age he lived in dense forests, valleys, ravines and mountains all his life measuring swords with the British and Holkar State's armies, he inflected reverses on the police of mighty British Empire and eluded them for many years. Thousands of people were arrested and hundreds of them were thrown behind bars on the charge of helping Tantya.
Ultimately, Tantya was arrested due to treachery of Ganpat, the husband of his formal sister, he was kept in the Central India Agency jail in the British Residency area at Indore. Later, he was taken to Jabalpur under strict police guard, he was heavily chained and kept in Jabalpur jail where the British officers tortured him inhumanly. All types of atrocities were perpetrated on him; the Sessions Court, Jabalpur sentenced him to be hanged till death on 19 October 1889. The British government was so scared that even today it is not known as to when and on which date he was hanged, it is generally believed that after hanging him his body was thrown near Patalpani railway station on Khandwa rail route near Indore. The spot where his wooden effigies were placed is considered to be the Samadhi of Tantya Mama. Even today all the train drivers stop the train for a moment as a mark of respect to Tantya Mama.
English: "Scarification pattern among the Great Andamanese in the late 19th century. Nothing is known of the origins or antiquity of this custom among the Andamanese." Citation from Clothes, Clay and Beautycare (of Great Andamanese people), by George Weber.
by solomon sami azar Usage Public Domain Topics 100th monkey syndrome, messenger, messiah, christ, subconcous Collection opensource Language English As a scientist is observant to all facets of a particular subject in study, a question is posed in the realm of the 100th monkey syndrome and its application for mankind. It is in this endeavor via science in conjunction with investigations into spirituality which is accepted as norm for human behavior- a scientific experiment is proposed and attempted to be implemented. This paper is my lifes study into transforming the will of man to a more peaceful and integrated society merely by proposing it to the general population and accordingly accepted. Time will tell Identifier 100th Monkey Syndrome By A Messenger Of God .
Jaipur native.
