We are a Teenager of the Meena Tribe, and we proud of our culture and we respect our "samaj". We have some questions.
1.Why we don't know about our history?
2.Why Our Tribe was treated as a criminal Tribe?
3.Why some People hate Us (specially, when they know that we are From ST ).
4.Why our parents don't give freedom whether it is Boy/Girl ( As compared to other Guys).
Thanks to God for giving us the best Parents. But, why they don't want their children as an Owner of the Company, As a Musician
Before 1500 BCE the caste system was not found in India.
Who started caste system in India?
Aryans
According to one long-held theory about the origins of South Asia's caste system, Aryans from central Asia invaded South Asia and introduced the caste system as a means of controlling the local populations. The Aryans defined key roles in society, then assigned groups of people to them.
https://www.ushistory.org › civ
The Caste System [ushistory.org]
When did caste system start?
1500 BC
Historically, however, it is believed that the caste system began with the arrival of the Aryans in India around 1500 BC (Daniel). Of the many cultures that flourished in India, the literary records of the Indo-Aryan culture are not the earliest.
Coronavirus in India: how the COVID-19 could impact the fast-growing economy
By Dr. Sikha meena
India reported the first confirmed case of the coronavirus infection on 30 January 2020 in the state of Kerala. The affected had a travel history from Wuhan, China.
Since the Wuhan coronavirus outbreak in China, the highest number of suspected cases in India, the second most populated country in the world, has been reported in the state of Kerala. Suspected coronavirus cases have also been reported in multiple cities such as New Delhi, Mumbai, Bengaluru, Hyderabad, and Patna.
king salwa visiting kalayawana Yet another Salwa king (3:12, 7:11) attacked Dwaraka, this Salwa king was an ally of Shishupala, Dantavakra and Rukmi. According to the narration in the epic, he possessed an aircraft known as Saubha Vimana and used it for travel and for aerial warfare
Raja (Raja Jagat Singh II, 1694-1752, possibly of Jaipur) and lady watching from a roof-top the Tij,
Physical description Painting in opaque watercolour on paper depicting the month of Sawan (July-August). A Raja (Raja Jagat Singh II, 1694-1752, possibly of Jaipur) and lady watching from a roof-top the Tij, or Swing Festival, performed at Bundi in the rains. An illustration to a Barahmasa or set of verses describing the ways of lovers in the twelve months. Place of Origin Bundi (made) Date ca. 1770 (made) Artist/maker
In this painting, a Rajput nobleman and his companion watch a celebration of the festival of Teej, held to mark the arrival of the monsoon. The coming of the rains signifies fecundity and renewal, as seen in the verdant depiction of the garden and the snake-like lightening in the sky. In fine clothes and with henna-painted hands, women carry an effigy of the female deity Parvati, holding floral fronds aloft, and swing from a mango tree as lightening flashes across the sky.
Matsya
Object:Painting
Place of origin:Kolkata (made)
Date:ca. 1885 (made)
Artist/Maker:Unknown
Materials and Techniques:Painted in opaque watercolour on paper
Museum number:IS.592-1950
Gallery location:In Storage
As would be expected of an image of Vishnu's first avatar, Matsya, the lower part of the body is a fish. But the breasts look more female than male, there are only two hands and they are in anjali mudra. which is uncommon in a deity. A hooked prong behind would have fitted into a shrine. Brassy colour, little wear.
the capture of Bundi fort in Rajasthan by the Mughal army in 1577
This painting by the Mughal court artist Tulsi the Elder depicts the battle preceding the capture of Bundi fort in Rajasthan by the Mughal army in 1577. It is an illustration to the Akbarnama (Book of Akbar), commissioned in 1589 by the Mughal emperor Akbar (r.1556–1605) as the official chronicle of his reign. The Akbarnama was written in Persian by Akbar’s court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan. The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.
A large portrait-format page showing the story of the salvation (moksha) of the King of the Elephants (Gajendra) who is saved from the demon crocodile by Vishnu who comes to the rescue on Garuda.
Architectural drawing of Tirumala Nayak at Madura,
Many of the British were excited by the Great temple at Madura and it was frequently illustrated. This set of 143 drawings is the most extensive series known of the famous pillared hall ('mandapa') to the east of the Great temple, popularly known as Tirumala Nayak's choultry. These drawings provided detailed architectural descriptions of the pillars, showing various elevations, and betray the hand of an artist trained in the conventions of Dravidian architecture. Some of the drawings relate to, and are on the same scale as, a series of bronze models in the Victoria & Albert Museum (Guy 1990), and in the Ashmolean Museum (Harle and Topsfield, 1987 no. 68). The drawings, and the bronze replicas which show every evidence of having been modelled on the basis of these drawings, are in all probability those which Adam Blackader, resident in Madura in the 1780s, described in a letter of 1789 to his friend Sir Joseph Banks. Blackader records that he spent three years preparing these drawings and models. He had eighteen models made, selected to show the various types of richly-carved pillars. 'These', he wrote, 'were not taken regularly from one end of the choultry but different pillars selected from the whole giving all the principal varieties which occurred in the carvings'. These drawings are very similar to a set prepared at Madura under the supervision of Colin Mackenzie and now in the India Office Library (WD1063/1-57; M. Archer, 1969b, vol. II, pp. 531-2).
Architectural drawing of Tirumala Nayak at Madura,
: Tantia (c.1844-1890) was a member of the Bhil tribe and a renowned robber. He was tried and hanged in December 1890. 1 January 1906 363 Tantia Bhil, a legendary robber in Central India - Image ID: P80WDF
Tantia Bhil, a legendary robber in Central India Contributor: History and Art Collection / Alamy Stock Photo Image ID: P9KT99
Tantia Bhīl (or Tantya Bheel, Tantya Mama) (d. 1890) was a dacoit (bandit) active in British India between 1878 and 1889. He is described very negatively as a criminal in period British accounts, but is recognized by Indians as a heroic figure. Accounts of both eras have described him as an Indian "Robin Hood".
Career
Tantia was a member of the Bhil tribe, of the indigenous Adivasi community, and born in Nimad, Madhya Pradesh around 1844. Per one modern account he embarked on his career after the harsh measures taken by the British following the Indian Rebellion of 1857.[1] Tantia was first arrested around 1874 for "bad livelihood" and after a year's sentence turned to more serious crimes of theft and kidnapping, he was arrested in 1878 by Haji Nasrullah Khan Yousufzai and jailed in Khandwa, escaping after only three days, and from there took up his career as a dacoit.[2]
Tantia was lured to a parley by an officer of the Indore army who promised him a pardon, but was ambushed and taken to Jubbulpore where he was tried and hanged in December 1890.[2]
History
It is an indisputable fact that freedom fighters have all along been termed as rebels by the powers that be it the Mughal Empire of Aurangzeb or the British rule. Tantya Bhil was one of the greatest revolutionaries who waged an armed struggle against the British rule for twelve years and endeared himself to the masses by virtue of his indomitable courage and passion to uproot the foreign rule. Political parties and educated class launched forceful movement for ending the British Rule, but much before these movements, tribal communities and revolutionary like Tantya Bhil raised a banner of revolt against the British rule. Tantya Bhil became a symbol of the feelings of tribals and general people.[citation needed]
About one hundred twenty years ago Tantya Bhil emerged as a great hero of the masses and became since then a long cherished pride of Bhil tribe, he epitomized the indomitable courage, exceptional agility and organizing skill.[citation needed]
Tantya Bhil used to plunder the government treasuries of the British government and wealth of their sycophants used to distribute it among the poor and needy. In fact, he was the Messiah of the have-nots, he was popularly called Mama by people of all age groups. This address of Tantya became so popular that the Bhills still feel proud in being addressed as "Mama", he used to reach out to those who were in need of financial help in a miraculous manner.[citation needed]
The news of the arrest of Tantya Bhil was prominently published in the 10 November 1889 issue of the New York Times. In this news he was described as the "Robin Hood of India".
Tantya Bhil was born at village Badada in Pandhana tahasil of East Nimar (Khandwa) of erstwhile Central Provinces which currently lies in the Indian state of Madhya Pradesh, he wanted to teach a lesson to the British and to realize Bhils’ dream of socialist society. He was fired with a passion to free India from British subjugation, he broke the jail many times.
He was skillful in Guerilla warfare, he was also a great shooter and proficient in traditional archery. "Dava" or Falia was his main weapon. He had also learnt to handle gun.
Right from his young age he lived in dense forests, valleys, ravines and mountains all his life measuring swords with the British and Holkar State's armies, he inflected reverses on the police of mighty British Empire and eluded them for many years. Thousands of people were arrested and hundreds of them were thrown behind bars on the charge of helping Tantya.
Ultimately, Tantya was arrested due to treachery of Ganpat, the husband of his formal sister, he was kept in the Central India Agency jail in the British Residency area at Indore. Later, he was taken to Jabalpur under strict police guard, he was heavily chained and kept in Jabalpur jail where the British officers tortured him inhumanly. All types of atrocities were perpetrated on him; the Sessions Court, Jabalpur sentenced him to be hanged till death on 19 October 1889. The British government was so scared that even today it is not known as to when and on which date he was hanged, it is generally believed that after hanging him his body was thrown near Patalpani railway station on Khandwa rail route near Indore. The spot where his wooden effigies were placed is considered to be the Samadhi of Tantya Mama. Even today all the train drivers stop the train for a moment as a mark of respect to Tantya Mama.
English: "Scarification pattern among the Great Andamanese in the late 19th century. Nothing is known of the origins or antiquity of this custom among the Andamanese." Citation from Clothes, Clay and Beautycare (of Great Andamanese people), by George Weber.
by solomon sami azar Usage Public Domain Topics 100th monkey syndrome, messenger, messiah, christ, subconcous Collection opensource Language English As a scientist is observant to all facets of a particular subject in study, a question is posed in the realm of the 100th monkey syndrome and its application for mankind. It is in this endeavor via science in conjunction with investigations into spirituality which is accepted as norm for human behavior- a scientific experiment is proposed and attempted to be implemented. This paper is my lifes study into transforming the will of man to a more peaceful and integrated society merely by proposing it to the general population and accordingly accepted. Time will tell Identifier 100th Monkey Syndrome By A Messenger Of God .
Other names Mahesha, Shankara, Bholenath, Neelkanth, Mahadeva
Shiva is show in INDUS valley in yogic position , and INDUS is Dravidian Civilization , And meena Caste RAJASTHAN also had Dravidian DNA , so we can calim thet the Present SON and Daughter of God SHIVA is Present in Form of Meena or in form of every person with his name Like meena had connection with shiva's wife parvati's mother Mena Mainvati , ,,,,. Not just Meena You and all also the children Of god shiva who was Dravidian , and Manu the first man was our Ancient Ancestor's ancestor . MANU is son Of BRAHMA and SARSWATI , MANU encounter with MATSYA (TGF) in fish foam , manu was the king of DRAVIDIAN kingdom , so its also clear that our Ancient Ancestor's Ancestor was MANU and He was DRAVIDIAN . Now let's see how Meena -> Manu -> BRAHMA-< Shiva -> BRAHMA -< Vishnu -> Jyoti Niranjan
Personal information Consort Menavati Children Ganga Parvati Mainak Parents Brahma (father) Siblings Jambavan ( Younger brother)
parents of HIMVAN : strage but we belive God is every Thing this time god is in Form Of mountain and Had Daughter PARVATI , *HIMVAN'S wife Is Mena (Mainavati)
Parvati married with SHIVA and Had 3 Children
.............................................
Departure in Search of His (vishnu,shiva )Father Brahm
Vishnu's Departure in Search of His Father Brahm and Being Blessed by His Mother Durga
After this, Mother Durga (Prakriti) asked Vishnu, "Son, you may also search for your father." Vishnu, in search of his father (Kaal-Brahm), went to Patal lok (Nether world), where there was 'Shesh naag'. On seeing Vishnu entering into his jurisdiction, he sprayed his venom furiously on Vishnu. Vishnu's skin colour turned black under the effect of the venom, as if he was spray-painted. Vishnu thought of teaching the snake a lesson. Jyoti Niranjan (Kaal) thought of pacifying Vishnu and through an ethervoice, ordered Vishnu to go back to her mother and narrate the entire true account. Kaal also said to Vishnu that whatever trouble Sheshnaag has caused you now, you may take its revenge in Dwaparyug. In Dwaparyug, you (Vishnu) will incarnate as 'Krishna', and Sheshnaag will incarnate as a snake named 'Kalindri' in Kalideh (a river).
Unch hoi ke neech sataave, taakar oel (revenge) mohi so paavae | Jo jeev deyi peer puni kahoon, hum puni oel divaavein taahoon ||
Then, Vishnu came to his mother and told the truth that I did not see father. Mother Durga (Prakriti) was very pleased to hear the truth and said, "Son, you are truthful. Now I will introduce you to your father by my power and will remove all your doubts."
Kabir Vani - Kabir dekh putra tohi pita bhitaun, tore man ka dhokha mitaun | Man swaroop karta keh jaano, man te dooja aur na maano | Swarg patal daur man kera, man asthir man ahae anera | Nirankar man hi ko kahiye, man ki aas nish din rahiye | Dekh hoon palti sunya meh jyoti, jahan par jhilmil jhalar hoti ||
Durga's Blessing to Vishnu:
In this way, Mother Durga told Vishnu that man (mind) is the Doer of the world (which governs the world); this only is Jyoti Niranjan.
The thousand lights, which you see in meditation, only is his (Brahm's) appearance. The sound of conch shells and bells etc. which you hear are Brahm's only, and are ringing in Mahaswarg.
Mother Durga said that son, you are the king of all gods and I will fulfil all your wishes and tasks. You will be worshipped in the whole world because you have told me the truth.
It is a particular habit of all the living beings in Kaal's twentyone brahmands that they try to uselessly glorify themselves. Like, Durga is telling Vishnu Ji that you will be worshipped in the world. I have shown your father to you. Durga misled Vishnu by only showing him the light. Shri Vishnu Ji also started explaining this state of God to his followers that only God's light is visible. God is formless.
Durga also asks Shiv to search for his Father:
After this, Aadi Bhavani (Durga) went to Rudra (Shiv / Mahesh / Mahadev) and said that Mahesh, you may also search for your father. Both of your brothers did not get to see your father. I have given them whatever I had to. Now you may ask whatever you want. Mahesh said, "Oh, mother! If both of my elder brothers did not get to see father, then it will be useless for me to try. Please give me such a blessing that I may become immortal (mrityunjay/win over death). Mother said, "I cannot do this. But, I can tell you a method by which you will attain the longest life.
The method is meditation (therefore, Mahadev Ji mostly remains in meditation)."
In this way, Mother Durga (Ashtangi / Prakriti) distributed the respective departments to her three sons -
God Brahma, to create bodies of 84 lakh species of life in Kaal lok (21 Brahmands of Kaal are also called Kaal Lok) i.e. gave him the department of producing living beings by compelling them for reproduction of offsprings under the effect of Rajogun (the effect of the feeling of having sex) .
To god Vishnu, the department of nurturing these living beings (according to their actions), and maintaining the state by developing love and affection.
To god Shiv Shankar (Mahadev), the department of destruction because their father Niranjan has to daily consume one-lakh human beings.
Here a question will arise in the mind that how do creation, preservation and destruction occur by Brahma, Vishnu and Shankar Ji.
These three live in their own loks. Like, these days to run the communication system, satellites are launched above in the sky, and they run the communication system on the Earth. Similarly, wherever these three gods live, the subtle (sukshm) waves of the gunas (qualities) radiating from their bodies automatically and maintain an effect on every living being in the three loks.
The above-mentioned description is of Brahm's (Kaal) creation in one Brahmand. There are twenty-one such brahmands of Kshar Purush (Kaal).
But Kshar Purush (Brahm/Kaal) himself never appears before anyone in his visible form i.e actual bodily form. The three gods (Brahma, Vishnu, and Shiv) did not see Brahm (Kaal) despite doing worship to the best of their ability based on the methods mentioned in the Vedas to achieve him (Kaal). Later, Rishis (sages) read the Vedas. In it, it is written that
"AgneH Tanur Asi" (Holy Yajurved, Adhyay 1, Mantra 15) - the Supreme God has a body.
In Holy Yajurved, Adhyay 5, Mantra 1, it is written that "AgneH Tanur Asi Vishnve Tva Somasya Tanur Asi".
In this mantra, Ved is stating twice that the omnipresent and preserver of all, Sat Purush (Supreme God), has a body.
In Holy Yajurved, Adhyay 40, Mantra 8, it is said that (Kavir Manishi) the God for whom every living being is yearning, He is Kavir i.e. Kabir. His body is without blood vessels (Asanaaviram ) and is devoid of a physical body (Akaayam ) made up of the five elements formed from seminal fluid (Shukram´).
That Master of all is seated in the topmost Satlok. That Supreme God has a self-illuminated (Swarjyoti) body made up of the masses of lights (tejpunj), which is in shabd/word-form i.e. is eternal. He is the same KavirDev (Supreme God Kabir) who is the creator of all the brahmands (Vyaddhata), (SwayambhuH the first MAN of WORLD ) who appears Himself i.e. is self-existent (Yatha tathya arthan ) in reality (Shashvat´) is eternal (this is also evident in Gita, Adhyay 15, and Shlok 17).
It means that the name of the body of Supreme God is Kabir (Kavir Dev). The body of that Supreme God is made up of the element of light.
The body of God is very subtle and becomes visible to only that worshipper whose divine vision has opened up. Similarly, the living being also has a subtle body which is covered by a layer i.e. body made up of the five elements which is formed from the seminal fluid (shukram ) by the union of mother-father. Even after leaving the body, the subtle body remains with a living being. That body is only visible to a worshipper whose divine vision has opened up. Understand the state of the Supreme God and a living being in this way.
In Vedas, there is a evidence of chanting (Sumiran) 'Om ' mantra, which is only worship of Brahm. With this aim, considering the 'Om ' mantra as of the Purna Brahm, the sages (Rishis) tried to attain God by meditating (hath yog) for thousands of years. But did not see God, just gained supernatural powers (siddhis). By playing with those siddhis-like toys, the sages remained in the cycle of life and death and wrote God as 'formless' in the books based on their own experiences.
Brahm (Kaal) has pledged that I will never appear before anyone in my real form. I will be considered 'invisible' ('invisible' means that somebody is in form but does not manifest personally in physical form. Like, in the daytime the sun disappears as the sky becomes cloudy. It is not visible, but in reality, is present as it is behind the clouds; this state is called 'invisible'/unmanifested). [For evidence see Gita, Adhyay 7, Shloka 24 -25; Adhyay 11, Shloka 48 and 32].
Brahm (Kaal), the narrator of the Holy Gita Ji, by entering into Shri Krishan ji's body like a ghost, is saying, "Arjun, I am an enlarged Kaal and have come here to eat everyone (Gita Adhyay 11 Shlok 32). This is my original appearance, which neither could anybody see before you, nor would anyone be able to see in future. This means that nobody can see this original form of mine by the method of yagya-jap-tap35 and the 'Om ' naam etc. mentioned in the Vedas (Gita Adhyay 11 Shlok 48). I am not Krishna; these foolish people are considering the invisible/unmanifested me, as being visible/manifested (in human form) as Krishna because they are unaware of my bad policy that I never appear before anyone in this original Kaal form of mine. I remain hidden by my Yogmaya (Gita Adhyay 7 Shlok 24, 25). Please think: - Why is he himself calling his policy of remaining hidden as bad/inferior (anuttam)?
If a father does not even appear before his sons, then there is a fault in him because of which he is hidden, and is also providing all the facilities to them. Kaal (Brahm) has to daily eat one-lakh human beings because of the curse on him. He has created 84 lakh births/life forms (yoni) to fix the extra 25 percent born daily and to make them bear the punishment of their actions (karmas). If Brahm eats someone's daughter, someone's wife, someone's son, and motherfather in front of him or her then everybody will start hating him, and whenever the Supreme God Kaviragni (God Kabir) comes himself or sends any messenger (sandeshvaahak) of his, then all the human beings, by doing true devotion (Sat-bhakti) will get out of Kaal's trap. Therefore, Brahm deceives everyone. He also mentions the salvation (mukti) from his devotion as 'the worst' (Anuttamam ) and his policy as 'worst' (Anuttam ) in Holy Gita, Adhyay 7, Shlok 18, 24 and 25.
In the Brahmlok in every brahmand, he has built a Mahaswarg . In a Mahaswarg (Great Heaven), at one place he has created a fake Satlok - fake Alakh lok - fake Agamlok and fake Anami lok through Prakriti (Durga / Aadi Maya) to deceive the human beings. There is a shabd (hymn) of God Kabir "Kar naino deedaar mahal mein pyaara hai". In it there is a speech that "Kaaya bhed kiya nirvaara, yeh sab rachna pind manjhaara hai Maya avigat jaal pasaara, so kaarigar bhaara hai Aadi Maya kinhi chaturaai, jhuthi baaji pind dikhaai, avigat rachna rachi and maahi, vaaka pratibimb daara hai "
In a brahmand, there is creation of other loks also, like Shri Brahma ji's lok, Shri Vishnu ji's lok and Shri Shiv ji's lok. From here, the three gods become the master of and govern, one region in each of the three lower loks [(Swarg lok) Heaven which is Indra's lok, (Prithvi lok) Earth and (Patal lok) Nether world] and hold the responsibility of creating, preserving and destroying the living beings for the food of their father. The three gods also have births and deaths. Then Kaal eats them too.
In this very brahmand [a brahmand is also known as 'and' (egg-shaped) because a brahmand has an elliptical shape. It is also known as 'pind' (body) because a brahmand's creation can be seen in lotuses (kamal) in the body (pind) as in a television], there is also a Mansarover (a very big lake) and Dharmrai's (justice) lok. Like every country has an embassy, the Supreme God also lives in a different form, in a secret place, in every brahmand. Nobody can go there. Those souls live there whose Satlok's bhakti is balance yet. When bhakti Yug40 comes, then at that time, Supreme God Kabir ji sends His representative Complete Saint Satguru41 . At that time, these pious souls are born as human beings on earth and they soon acquire Sat bhakti (true devotion) and after taking initiation from Satguru attain complete salvation. The earlier earned bhakti of the pious souls (Hans-aatmas42) in that place does not get expended. All the facilities are provided from God's repository. Whereas, the bhakti earnings of Brahm's (Kaal) worshippers are utilized in the heaven - Mahaswarg because in this Kaal lok (Brahm lok) and Parbrahm's lok, the living beings only get returns for what they have done.
Kshar Purush (Brahm) has divided his twenty brahmands into four Mahabrahmands. In one Mahabrahmand, he has grouped five brahmands and has blocked them by encircling from all four sides in an elliptical shape. He has then blocked the four Mahabrahmands by encircling them in elliptical shape. He has created the twenty-first brahmand in the space of one Mahabrahmand. On just entering the twenty-first brahmand, he has built three pathways. In the twenty-first brahmand also, on the left hand side, has built fake Satlok, fake Alakh lok, fake Agam lok and fake Anami lok with the help of Aadi Maya (Durga), to deceive living beings. And on the right hand side, keeps the twelve greatest Brahm worshippers (Bhakts). Then, in every yug44 sends them on Earth as his messengers (sant satguru), who impart ways of worship and knowledge which are not in accordance with the Holy Scriptures, and who themselves become devotionless (bhaktiless) and also entangle their followers in Kaal's web. Then both that Guruji and his followers go to hell.
In the front, Kaal has put a lock (kuluf). That pathway goes to Kaal's (Brahm's) own lok where this Brahm (Kaal) lives in his actual human-like form. In this place there is a griddle-like piece of rock (which itself remains hot) on which, he roasts the subtle bodies of one-lakh human beings and taking out grime (mael) from them eats it. At that time all the living beings suffer from excruciating pain and start screaming and then after sometime become unconscious. The living beings do not die. Then after going to Dharmrai's45 lok obtain different births based on their karmas (deeds) and the cycle of life and death goes on. Brahm opens the aforesaid lock in front for fractions of a second for only those living beings who are his food. This lock itself opens up by Purna Parmatma's (Supreme God's) Satyanaam46 and Saarnaam47
